OK everyone, Way With Worlds Book 2 review copies are ready! So if you want to review contact me and let me know about your interest, if you have a blog, where you can review (amazon is appreciated), etc.!
Right now it’s looking like it’ll be out the very end of March or early April.
And Merry Post-Christmas everyone! I hope you’re doing well. Me, I’ve got over a week off and am enjoying it – which means plenty of time to do projects. And by that I probably mean play videogames, but still.
So let’s catch up!
Way With Worlds Book 2 – I have finished my latest edits and am getting feedback in from pre-readers. Very positive on this one. Still looking to be end of March. I will need reviewers too . . .
Way With Worlds Followup – I’ve been bouncing this idea around here and there, but there are followup minibooks to Way With Worlds. Those are in the works. Those probably drop in April, over time. There’s more in my newsletters.
The Next Generator – Taking a break from Food, the next generator is a Magical Girl Team generator! The current alpha version produces teams like “Beguiling Rose Angels,” “Rune Ladies” and “Seraphim Of Energy” which seems to be on track!
Thats about it for me – enjoying the time off and relaxing. Of course that means writing . . .
This one is a shift from the first book. The first book focused on a roughly linear set of advice on worldbuilding across various subjects. THis one is a series of collected deep dives on various issues, arranged a bit more freeform from the specific to the general. It covers conflicts, viewpoints, worldbuilding tools, and team effort – among other diverse subjects. It’s definitely a companion book to #1.
So give me a write, let me know if you want a PDF copy and let’s see what you think!
If you’re new to the book, it’s a giant guide to worldbuilding, from philosophy of setting creation, to sex, to ecology, and more. There’s advice, exercises, several lame jokes, and some insights that should give you a different view on creating your settings. It’s designed to be a manual for the important points of making a setting.
After some sixteen years, this is the next stage in my efforts to bring this old work to life! First rewrites, now books. It’s fantastic to see this journey turn into something physical people can hold in their hands!
Certainly it’s not done yet – there’s one more book to drop in November/December (probably December). There’s some smaller followup work. But this marks that transition to the new formats.
My mind still goes back to, when in the midst of the rewrites, someone told me how they’d printed my old columns out when they were younger. It had mattered to them that much, and they remembered it that well. That turned my efforts into more of a mission.
Mission isn’t over yet. Book two drops in November/December (probably December honestly). There’s some followup works I want to do.
But today I can note the next stage of Way With Worlds has started, and it has printed pages and the smell of paper, highlighted with fond memories.
So go on, take a look. There’s thoughts on sex and religion, characters and ecology, and of course plenty of philosophy. In this age, where anyone can put out book or a comic, good worldbuilding is needed more than ever – and is where you can stand out.
Whew! Guess who’s got a book about Worldbuilding, formatted for Print and Kindle? This guy.
Of course that doesn’t mean the book is ready, it’s ready-ish. I’d reached the point where I’d edited the hell out of the book and decided it was time to format it – formatting is a great way to find all your editing mistakes as you go through the book. Now I’ve got a Kindle version that looks good and a print version on the way so I can check it out.
Which of course means I’ll probably find plenty of mistakes – print copies are great for that. But at least now any changes will be made to the configured, checked, edited, and most importantly ready-to-go final copies.
(which I realize doesn’t make them exactly final, but you get he idea)
So what this means is that Way With Worlds Book 1 is in its final rounds. Barring any major accidents, it’ll definitely be out late July.
Of course the reason I’m not pushing it faster is:
Still, it’s closer all the time. I think you’ll find it’s worth the wait . . .
The update on my first book on Worldbuilding is . . . further along than expected.
After the long editing process, the formatting for print went well (probably as I had done a lot of the basics before sending it to the editor). I’m going to format the Kindle version next – not just to get it out of the way, but because doing so also acts as yet another read-through. I actually will do that this weekend.
Once that’s done, I’ll set up the cover and a sample doc and start running print copies. I still plan to release in July even if this goes well, just because I have so much else on my plate.
Besides, Book 2 comes back from the editor end of May or so . . . and I still have the Sailor Moon book.
Though the big worry there is, as noted elsewhere, the cover. Fan To Pro‘s cover was a total pain.
I’m pretty pleased with the book, but admit there’s times it comes off a bit artsy. I think that’s the intention, but it contrasts with my usual instructional style. It’s nice to see different voices in my writing – and I am hoping to broaden out even further. I think I need to develop more “voices.”
The content is definitely solid. There’s parts I’m seriously proud of, such as my exploration of worldbuidling sex, meditations on power, and my work on magic and technology. I think people can learn a lot from this – even if they disagree with me (and there are places I see folks will differ).
And book two, well, that’s when I dive into some serious details . . .
Been awhile since a Way With Worlds Update! So let’s find out where we are on my essays-rewritten-and-now-a-book on worldbuilding.
First, there’s a web page for the first book that gives you some idea of what I’m up to. You can also see the sample cover art – and you’re going to love the final cover!
I also got the book back from my editor. My editor is a “word of God type editor” – when it’s edited it’s done. So I spent an entire day going through her edits for the first book. After about ten hours of work, I have a book that is mostly ready for publication. One more read through and it’s ready for publishing (which itself is going to take a few months).
This brings up a really good lessons – there are several kinds of editors and you have to know how to work with them. Some are like a friendly guide with advice. Others are the Word Of God. Yet others are instructional. Each is different and you have to figure which works for you, your works, and your goals.
For instance, these books, though being creative and chatty are instructional. I needed a Word Of God editor on them.
On the other hand, some of my more intimate career books need a lighter touch as an editor. They’re chatty and friendly.
My upcoming Sailor Moon book has yet a different editor, a fansourced editor with an academic background and a fandom background, which seems perfect.
Now there’s also been a few schedule changes, so let’s recap!
I think you folks are going to love the books. It’s really my near-final word on Worldbuilding, and there’s a wealth of worldbuilding advice.
OK great news, Way With Worlds is going to editor this week!
Yes, I put in all the pre-reader feedback, did a run through, and will ship it off shortly. I expect the editor to take about two months so it’ll be a welcome break.
I’ve also got the cover artist working on the draft of cover 1. Its looking interesting so far, though the holidays slowed things down a bit.
So hang tight, Sanctumeers, it’s coming . . . and there’s more to stay tuned for . . .
So, I sat down recently to plan my next Way With Worlds Column – and realized that I had no more to write. I had all the rewrites I wanted. I had added all the new content I was inspired to add. I had completed my goal.
That goal? Revisit what I’d written over 15 years previously to update it with all the things I learned since then. Mission accomplished – but now there’s more to do.
I’m now going to gather all these columns and do what I should have done all those years ago – edit them into a book. Once that’s done I’ll have the definitive word on my theory of world building for the next fifteen or so years. That’ll also give people something to have and read and keep – much as I found some people had printed out all my old columns.
While editing the columns into a book (and doubtless improving and updating them), I’ll probably be inspired to write other columns. You’ll see those pop up here and there as the mood strikes me – and they will be integrated right back into the book.
This is going to get the full book treatment – multiple edits, organizing the columns into appropriate categories, and so on. I will surely tweak, rewrite, and expand the work, integrating the feedback and insights I’ve had since I started this mad effort. When it’s done it’ll be worth your time.
How long will this take? Not sure because I want to have fun with it – and because I’ve got other projects going on. Right now I’d guess the release would be no earlier than late 2015, and no later than a year from now.
Will there be other non-WWW writing here from me? Probably. You know me, I can’t shut up . . .
. . . though I should also get to some more generators. That Plot Twist one is still hovering over me, and you folks keep sending ideas . . .
Because of this, Realism is both something to seek in our work. It’s also a sign of successfully making a good world and thus a good tale from it – because people live what we create. However when we ask what realism is in an attempt to achieve it, it becomes much more difficult.
It’s difficult because realism is a trickster.
When you step back from a fiction that seems “realistic,” it may suddenly seem rather unrealistic. Yes, you related to that hero fighting a dragon, felt the fire on your face and smelled the blood – but she was fighting a dragon which isn’t exactly a realistic beast. Yet there, in the experience of a good fantasy novel, it seemed real.
At the same time, just having “realistic” elements in a tale or a game doesn’t mean it seems real. A world of cars and computers and gritty real-life experiences can seem detached, empty. The elements are real but it doesn’t “feel” real.
Sometimes dragons are more believable than accountants. Realism is a trickster.
This is because, like any good trickster, realism has more than one face – two, as far as i’m concerned. Your world and the tales and games within it need to show both faces to be truly “real.”
We can read the most outlandish science fiction or magic-drenched fantasy and be lost within it. We can follow things with little connection to our reality and live them. The unreal, the fantastic, the not-yet true can be very real in a good world and a good tale.
This is because a setting is believable if it has consistent rules and principles that are followed. It may be a realm of clockwork stars and sorcerous cats, but if people can recognize why and how, cause and effect they buy into it. We humans like rules, and when we can divine them in a work, then we can believe it.
Internal realism is this kind of realism -the realism of a setting that is consistent, if outlandish. It can be understood and comprehended and analyzed. Because there is “something” there, it can be believed. Because it can be believed, it seems real to people.
But Internal Realism has an equal partner.
When wizard cats battle among clockwork stars, we may find ourselves cheering the heroine because we understand her motivations. When superheroes thunderously battle across dimensions, the blow-by-rib-cracking blow stories make us feel each unrealistic punch. When people who never existed come from cities we’ve heard of, we “get” them. When we read of the glint of sunlight on a sea that never was, we “see” it.
No matter how untrue or fantastical or made-up, a good world with good characters, a good tale, gives us ways to connect to the characters and setting. We can relate to characters, feel their pain, gasp in wonder at a description, or nod at a man who never was describing a good Philly cheesesteak.
This is the realism that we connect to – pain and emotion, location and cuisine, a visual description that is evocative. It is the realism that connects us to the fictional through experiences we can understand. Everything else may be unrealistic, but there are elements of “real” we connect to.
These places of connection could be real historical events, believable technology, relatable characters, and visceral experiences. They can be many things, but all good External Realisms bridge the gap between us and the fictional.
Someone may fight dragons, but we relate to his need to keep an armor budget.
Both realisms are your goal as a worldbuilder and creator because they work together. Internal realism means your world is understandable and External Realism makes your world relatable. Both mean your audience connects to a setting and its characters – even if that setting is strange and alien.
If you lack Internal Realism, your world is ruleless, hard to relate to, the realistic parts floating in a sea of incomprehensibility.
If you lack External Realism, your world is one people can’t connect to. The characters aren’t relatable, the experiences lack visceral elements, the setting seems lifeless.
Together? Together you can have the most fantastical world that people can connect to. They might not consciously realize just how deep they are in a setting that is totally “unreal” because it’s so real.
Again, realism is a trickster.
How does one develop both kinds of realism? I’ve found these things help:
Developing both sides of Realism is a worthy quest indeed. It means you’ll create worlds people truly connect with -and works people truly connect with. These are powerful, affecting, and memorable.
In other words, very real.