(This column is posted at www.StevenSavage.com, www.SeventhSanctum.com, and Steve’s Tumblr)

Over at his blog my friend Serdar talked about why people write. Some people, he notes, want all the benefits and the aura of being a writer . . . except they’re not too up on the “writing” part of it. To be a writer, you have to write.

And Serdar, like Brad at Hardcore Zen, and like myself note it’s a kind of compulsion.

I write because it’s something I do. I craft words, tell stories, organize information. I’m not exactly sure why – these are traits all humans have, for me and others its just pronounced. We do it more often than they do. It’s who we are.

Now you have to work on it, as Serdar notes, something not everyone else does. Me, I self-publish a lot of stuff, I’ve yet to “hit it big,” I may never do so. But that’s not my goal.

And that’s the crux of being a writer – it’s something you do, but you also apply yourself to figure what you can and should do with it. That’s where many, many writer’s break down.

Because here’s the rub – writing is not just writing nor is it just improving it – it’s knowing what the hell to do with it to reach your goals. Write all you want, but if you want to do something with it you have to ask just what your goals are.

I’ve met many people who want to write, but they want to write under highly specific conditions. They want to be a writer and be paid – but in this genre and at this pay rate and so on. No, if you want to be paid as a writer you write, and that leads you to either A) write whatever pays the bils, or B) work your butt off on your focus to become very, very good (depending what “good” is).

I’ve met people who write but for fun and occasionally wonder what more they “should” do – when maybe all you want to do is write fanfic and that’s perfectly OK. That’s good, that’s fine.

Or there’s me, who likes writing, likes helping people and cataloging knowledge, and does it as a kind of hobby that occasionally makes money. It’s a skill I like using and would like to use more, so I’m gladly learning and seeing what more I can do with it.

But that’s my schtick.

So if you want to write figure your goals and go and channel that writing into succeeding. But if you don’t do something with it, you’re never going to get much done.

• Steve

(This column is posted at www.StevenSavage.com, www.SeventhSanctum.com, and Steve’s Tumblr)

Last time we met, I discussed that a major part of my writing is actually deciding what to do write in the first place.  I don’t just go “oh, I have to write this,” I ask where it fits in my larger writing career (and, occasionally, vice versa).  Part of being a writer, to me, is filtering.

But at some point the time comes to Write That Book.  So I write that book – by writing something else.  The Outline.

The Framework Of The Future

Almost every large work I write I write is Outlined, often in fine detail – fiction and non-fiction.  I have it broken down into major sections (often chapters) and what they’re about, and often down to individual paragraphs.

The reason for this is multifold:

1. An Outline is a away to test-drive your idea.  There’s a chance you don’t have a good grasp of it or that it’s in an immature state.  In fact, when I schedule a book I usually produce a rough outline then – sometimes the complete outline.
2. An Outline creates the basic structure of your book – and tests that structure  As you come up with an Outline you often find better ways to do the book – and in the end the outline means a stronger piece of writing.
3. An Outline is a way to pace yourself.  When your book is broken down into sections and components, you can easily measure work done, work needed, and progress.
4. An Outline, because of the above, becomes a time-saving device.

As important as this is in non-fiction, a good outline is even more important in non-fiction.  A large cast and large series of plot elements can easily go “off the rails” if you don’t keep track of things.  Writing a book, on say, Ball-Jointed Doll clothes may require certain cases of following instructions, but tracking three battles and twelve characters across 300 pages is going to be even crazier.

I have one friend working on an utterly brilliant story involving precognition. Imagine where they’d be without an outline . . .

So, me, I outline.  And what’s a good Outline?  Well, my outline tells me it’s time to discuss that . . .

A Good Outline Is . . .

So what does my outline contain?  Let’s look into that before I get into how I make it.  It sort of makes my goals clear.

First, a good outline contains a breakdown of the various Sections of a book – often this is chapters, but in the case of fiction it may be major events or milestones.  These are the “big pieces” of the book that get you from A to B, be it learning a skill or telling a tale.  The various sections are

Secondly, the Major Sections are also broken down into individual pieces, the elements that make up these Really Big Things.  A Chapter on, say, writing skills may cover the major skills and their role in your career.  A big event in a book, say a war, may start with how characters get involved in said war, what happens at various times, and the fallout.

Each Section has a specific goal, getting from A to B.  If its complex, not always clear, or needs precise pacing, I break it down further into subsections – major events, major points, etc.  For my nonfiction I may go as far as to break down what each paragraph is about.

You probably realize now that my Outline is, essentially, a fractal.  A Section has a start and a finish – and a goal.  So does each part of it.  So may each paragraph if I outline that far.

Sure this sounds like it may take time – it may or it may not (sometimes this stuff nearly writes itself).  I stop when I have enough information to know I can start.  You can overdo it.

When you really get “in the zone” of building the Outline, it can happen fast, it can be instinctive, and it can be powerful.  You truly know your subject after awhile, and it just flows.

Let’s talk about creating it in detail.

Creating That Outline

So how do I create that outline?  That . . . is both organized and not, depending on what I’m writing.  There’s a few methods I use to get started, depending on what works and what my mood is.  Then it’s mostly the same.

Methods to get started:

• Brain dump method.  I write down everything associated with the book, everything I want to cover.  Then when I’m sure I have everything out, I sort it into an outline.  THis usually gives me a mix of Sections and fine detail to put in the sections.  The order usually becomes pretty apparent.
• A to B method.  If a book has a very specific goal, I create my initial outline on how you get from A to B, each section or chapter being about one major milestone.
• The Probe.  This is what I use if I don’t quite have a clear A to B method, but some path is apparent.  I write a sample outline, review it, then if not sure, write up a slightly different one.  Eventually the best A to B method emerges.

Which method works best?  That’s really something you have to try for yourself – and it depends on the subject.  Stories usually work with a mix of A to B or The Probe.  Nonfiction works can fit any in my experience – and you may not know which is best for a subject until you fail at it once.

So once I get started, and have a basic Outline, I then review sections, figuring out what has to go in them.  At this point since I know the goals of the book, I can pretty much write from A to B each section.  I cover each major issue that has to be covered at the very least.

If a book is larger, I often do several “Sweeps” fro start to finish, getting the Outline straight, reviewing it, and often adding more and more detail to the book – breaking each major Section or Chapter down further and further.  Sometimes, as noted I literally get to the level of figuring out what each paragraph covers.

How far do I take this?  Usually “until I have enough to start writing” or “I’ll know it when I see it.”  One can usually tell, instinctively, if a book is ready to go.

While doing the Outline, a few things to try out . . .

Insights While Outlining

So as I work on my Outline there’s a few things I do or try out:

• Look for patterns.  Sometimes a book, no matter it’s form, has patterns in it.  You may find that each character’s story parallels the other, or you may find that your insights about specialty popcorn fit into four patterns.  Finding these patterns is important as they can guide, improve, o even replace the original outline.  If you find that each character’s story parallels that of the others, you may try to tell each character’s tale at once as opposed to people catching up in flashback.
• Look for warnings. Sometimes, despite your best efforts, while working on an Outline you may find you’re totally off base and need to change all or part of it.  Heed the warnings – because once you’re down in the weeds outlining your next book, thats when you truly find your mistakes.
• Take notes.  Sometimes you’ll find interesting insights you might not use, or questions to ask yourself.  Write them down and review later.
• Other inspirations.  This often happens while writing, so keep that Brainstorm Book handy!

So When It’s Done

So once my Outline is done, I make sure to store a copy of it.  Because now it’s time to start writing . . .

• Steve

So the Food Generator is getting close to a Beta release.  How does this look?

• Spiced Eggplant Mushroom on Croquette
• Braised Buttered Ham
• Buttered Couscous
• Braised Raisin Burrito
• Honey Okra and Spicy Corn Tabbouleh
• Mint Pepperoni with Honey sauce
• Deviled Firey Peanut and Onion Squid
• Battered Poutine with Cream sauce
• Pickled Sausage Risotto
• Boiled Jerked Pepperoni Taco with Mustard sauce
• Cool Ranch Corn and Corn Shrimp with Orange sauce
• Breaded Spiced Eggplant
• Grilled Apple Dumpling
• Pesto Potato on Pilaf
• Buttered Braised Sesame Mushroom and Artichoke Egg on Risotto
• Mushroom on Noodles
• Honey Chickpea Eggplant
• Deviled Pepperoni
• Egg and Potato Mushroom on Risotto
• Raisin Quinoa
• Spinach and Bread Couscous on Toast
• Grilled Peanut Artichoke
• Baked Corn Toast
• Maple Corn and Mustard Eggplant Pork
• Raisin Garlic Eggplant

I’m pretty pleased with it.  Some more setup and vocabulary is needed, but I’m pretty happy with it.  It sounds real.

If not always appetizing.

• Steve

(This column is posted at www.StevenSavage.com, www.SeventhSanctum.com, and Steve’s Tumblr)

So last we met I talked about how I got my ideas – which was usually “a lot of them,” aided by recording them in a book that I reviewed regularly. This usually left me with more than enough Big Ideas to do books with.

But if you have a hundred ideas or one – how do I know what to write? I have limited time.  I have to pick between Big Ideas.

Thats why I have The Goals and The Plan.

The Goals And The Plan: Why And How

So when you choose what to write, you have to ask what is the role of writing in your life.  That helps you select what to write.

I have specific Goals set out for my writing career, goals that have evolved over time as my life has changed.  My first book was an attempt to reach out and help fellow geeks with careers.  My current goals are to expand as a writer, broaden what I do, and make writing an integral part of my life and career.

Having goals is great because it lets me evaluate if a book meets them – or if it’s the kind of Big Idea that means I have to rethink my goals. After all, if I suddenly find that I am compelled to write a fantasy novel as opposed to another nonfiction work, maybe there’s something to pay attention to.  Either way you should have goals as a writer and evaluate how your Big Ideas work with them.

My goals are also part of A Plan. I know what books I want to write when, in what order, for what reason. Lest that seem a bit over-organized, imagine if you were writing a fantasy trilogy and you get the idea – you do need a Plan if you’re going to write multiple things and build any kind of writing career.

The Plan can also change as my life changes, as goals shift, etc. I don’t revise it lightly, but as I review it weekly (to know what to work on) monthly (to evaluate progress and think of the future) and quarterly (to evaluate it a year out) I may find things have to change.  That’s fine.  The Plan has to help me reach my Goals.

An example? I was actually going to be working on a Project Management book while some other books were being edited. I realized I was too overloaded – and the edited books would come down on me like a ton of bricks when delivered. I could have easily have added something, or reshuffled the order, or done something else – instead I chose to delay that book.

Another example? Several times I’ve had to rearrange the schedule of the books I was working on due to various reasons. That happens as well, that’s life – but I knew why they were changing and what the impact to the timeline was.

As I’m quite organized, my plan even contains estimated times to write, edit, format, and publish. That lets me evaluate what I’ll be doing when, my time commitments – and if they’re worth it.  You may or may not go that far.

One important note? I’ve never, in memory, dropped an idea I’d started. Usually by the time I’ve started a book I’ve pretty much decided to do it. I figure unless you truly have to quit that’s a good policy – sticking too something is important.

So Now I Know

My Big Ideas are worked into a Plan, so I know what to write, when to write, and even how long it’ll probably take.  When I do my usual planning sessions, be it for a week out, a month out, a quarter out, or a year out, I know what I’m doing when.

I can literally say “OK, this is the day or week I start this book” and go for it.

That might sound a bit mechanical, a bit uninspiring – but it actually helps.  I’m always reviewing my ideas, always aware of what’s coming, so I never quite loose the inspiration.  At the same time as I have a plan I worry less, I know how long things take – I can bring the idea to life with minimal distraction and maximum effect.

So, next we’ll talk about what happens when I start a project.

• Steve

(This column is posted at www.StevenSavage.com, www.SeventhSanctum.com, and Steve’s Tumblr)

With my eighth book out, I figured I’d talk about how I actually write. After doing a lot of self-publishing, it struck me that “hey, others could benefit from this” and “I may learn talking with others.” I probably could have thought of that earlier, but I guess I was too busy writing.  Which is probably something else I should write on.

Anyway, in the spirit of reaching out to fellow writers, here’s how I write.

Please note that:

1. I am focusing on my style of nonfiction.  It might not apply to fiction except in the abstract.
2. It’s a focus on books – since thats where my head is right now.  You may be able to apply these lessons to other things.

Now, let’s talk about where my ideas fome from.

Inspiration: The Bolt Of Lighting

A good book starts with an idea. A bad book does as well, but I assume you’re not trying to write a bad one. Not deliberately, but let’s face it, I’m not going to judge you.

So where do I get my ideas? They come from everywhere. I rarely lack inspriation – and if I do, I usually can find a way to stimulate it.  This is because of my work studying inspiration, writing generators, and creating.  I’ve got a groove from sheer practice – and in time, you’ll develop one as well.

There are a few tips I can share:

• * First is to be open to ideas. Don’t just reject hem.
• * Seek experiences that inspire you. If you’re not inspired, your life may be too routine.
• * Regularly do things that require inspiration – that aren’t writing. My job managing, the work on the sanctum, all of that means my inspiration isalways being honed.

For me, ideas are striking me all the time. Wether you have a lot or a few, an idea is an idea. One of them might be the Big Idea, the book, the one you have to do.

Wether the latest inspiration you have is The Big Idea, or might be, you have to record it.  This is where things start taking form.

Recording: The First Step

Over the years I’ve emphasized the need for creative people of all kinds – and by that I mean most anyone – to keep a Brainstorm Book. The Brainstorm Book is where you write any idea that remotely seems worthy of keeping track of.

At this point, you’re already processing the latest inspiration. Maybe you flesh it out, maybe you drop it, either way the simple act of writing it down (and trust me, write it don’t type it) helps you process it a bit further. You may, in writing it down, suddenly realize a vision for it – and suddenly it’s The Big Idea you must make.

Be sure to record the idea in as much detail as possible – but don’t pressure yourself. One sentence that’s inspired may say far more than a paragraph you forced.

OK, so you recorded it.  Recording it made you think it over a bit, so the idea is a bit more polished, a bit more understood, and recorded in a way that’ll call back the inspiration.  The act of recording it might have even led it to become a Big Idea.

But with so many ideas, what do you do?  Well, if a Big Idea isn’t something I must work into my plans (and sometimes it is), I review the Brainstorm Book.

Reviewing: Looking Back

Once a month I review my brainstorm book, seeing what ideas stand out. Depending on their quality I may:

1. Decide they’re not worth it.
2. Decide they might be worth it and put them in a series of computer files to capture given inspirations -book ideas, column ideas, etc. I review these files whenever I add something or feel bereft of ideas (which, admittedly, isn’t often).
3. Decide the idea might be worth it – then I put it into an “incubator” file that I also review once a month.  This is for ideas that might be worth doing but I don’t have a plan quite yet.  Sometimes things go out of the incubator file.  This is for the “might be a Big Idea”
4. Decide I “This is a Big Idea” and figure I’ll do something with it.

The act of reviewing – and reviewing regularly –  is important, and not just for selecting Big Ideas. It can also inspire you by seeing your ideas in a different context. New ideas may flow, new inspirations may come, patterns emerge.  Sometimes new Big Ideas form just from the act of reviewing.

The Selected

So finally, I’ve got a lot of ideas. Hopefully I’ve got a Big Idea to develop into my next book, right?

Nope, I usually have several. I have a pile. Sometimes I even have a few ideas that I want to do in order.

Or maybe I do have a Big Idea – but do I really want to do it?

Well, next up, let’s talk how I select ideas to work on.

• Steve

Judging by the response I should just call it beta NOW.

• Corn Kimchi Sushi
• Pepperoni and Corn Jerky
• Pickled Pesto and Teriyaki Salmon Onion
• Deviled Tempura Soup
• Corn and Teriyaki Sausage On-a-stick
• Cabbage and Roe Chili
• Cream Cheese
• Quinoa and Okra Squid
• Gingered Quinoa
• Pepperoni and Corn Onion
• Roe and Pork Chips
• Chicken Lasagna
• Cajun Tomato Bowl
• Kimchi Sausage Pizza
• Potato and Cream Nuggets
• Pesto Salmon Burrito
• Corn Omelette
• Baked Chicken Kimchi On-a-stick
• Maple Sausage Burrito
• Tuna and Bean Ham
• Pepperoni Beef Bowl
• Curried Hummus
• Pesto Garlic Bites
• Steak Stew
• Cream Ham Chips

What do you think?  Sound good?

– Steve

My next generator is a food generator – focused mostly on savory meals and snacks.  Here’s some sample results:

• Candied Cheeseburger Taco
• Stuffed Chimichanga Loaf
• Fried Cheeseburger On-a-stick
• Pickled Parmesan Sausage Tempura
• Barbecue Bread
• Cajun Duck Omelette
• Baked Onion Egg Curry
• Barbecue Cheese Cabbage Soup
• Mango Onion
• Fried Squid Nuggets

Any of these sound good?

• Steve

And it’s done, out, published, ready – the first of my Sanctum-inspired books, “The Power Of Creative Paths!”  Thanks to everyone for your support!

The book, the first of several, is my guide to improving your creative abilities.  The idea is that you can identify how you create, and then expand your horizons to use other creative methods and work well with people who create differently.  Through advice, exercises, and examples, it’s a way to get better and dreaming things up and reaching those valuable Big Ideas.

So go on, give it a shot!

– Steve

 

So what’s the next generator planned?

Well, first a bit of a warning – I’m changing apartments so I might get a wee bit busy depending.  Now I’m an old hand at moving, but this time I’ve got a roommate (first time in 4 years) so I don’t know if this means it’ll be easier (help) or harder (more stuff).

But the next generator at least is going to be a food one – a bit more silly than the Reality Show Generator (which at its core involved serious linguistic analysis).  More something to create those ridiculous dishes that we see in experimental menus, or assorted Food Atrocities people whip up and post videos of.  Cheeseburger Pizza and Fried Kimchi on a Stick and so on.

It’s strange I haven’t thought of this as I like to cook (I even post about it at my blog), so it should be fun to build a generator close to my heart.  I might even try some others related, depending!

– Steve

 

One of the weird things we face in creativity is that we never really have time to bring all our great ideas to life.  Even people who claim to be blocked are blocked on that one idea – and usually have a dozen more to go.

And we’ll never act on all of them.

Creatives aren’t all troubled at the same level on this – some find it more painful whereas others barely think about it.  But I hear this complaint of “I have too many ideas” way too often.

It’s up to each of us to cope with this in their own way, but it’s a peculiarity of the human condition.  Here we are creative, our entire heads filled with worlds and dreams, and we can only realize but a fraction of them.  It’s an irony.

– Steve