It’s been about a week since DC Comics called a meteor swarm upon itself, and things are starting to quiet down. What happened is easy to find; over at Jessica Banks schools you, Jessica and her husband Cam detail the latest problems quite nicely. Why it happened is another question. (more…)
It’s been a busy month in the world of adaptations. Steve already mentioned the new Harry Potter-verse movie being scripted by JK Rowling herself. Here’s the rest of the news.
Spider-Actor injured.
Daniel Curry, who plays one of the nine Spider-Men in Spider-Man: Turn Off the Dark was injured during a performance. The Broadway show cost $75 million to put on and has seen a number of injuries amongst the actors. The show has also put out a casting call to replace Reeve Carney, who has played Peter Parker since 2010.
Rambo to become TV series?
Entertainment One and Nu Image are working with Sylvester Stallone to develop a Rambo TV series. No network has signed on yet, and the project could turn into the fifth Rambo movie. There’s a chance that Stallone would return as the titular character as well as being the creative consultant. Rambo may not be the only movie adapted as a TV series…
Reality Bites being adapted for TV series.
Ben Stiller, who directed the original movie, is on board as executive producer of the TV series, as is Helen Childress, who wrote the script for the original. The TV series will follow Lelaina Pierce, originally portrayed by Winona Ryder, after graduation in the 1990s, following the events of the movie. Keep in mind that, during the closing credits of the movie, it is revealed that Michael Grates, played by Stiller, turned the relationship he had with Lelaina into a TV show.
Star Wars: Episode VII to be shot on film.
Unlike Attack of the Clones and Revenge of the Sith, the next Star Wars installment will be on film instead of digital cameras. Film allows for a different approach, including getting the feel of the original movie and the addition of lens flares. If Episode VII goes 3D, it’ll have to be converted after being filmed.
Matt Damon returning as Bourne?
Damon and Paul Greengrass could be returning for a new Bourne movie. Damon has said that he’d be back if Greengrass was. Meanwhile, Jeremy Renner is still slated to be in a sequel to Bourne Legacy. No word if the two movies will merge or if the two streams will crossover.
Sharktopus sequel wraps up production.
Sharktopus vs. Mermantula brings back the shark-octopus hybrid that terrorized a Carribbean beach resort. This time around, Sharktopus has to deal with Mermantual, a failed experiment in creating the perfect man. Roger Corman, producer of this epic, has also opened “Corman’s Drive-In” on YouTube as an archive of the 400 movies he and his wife have produced.
Terminator 5 in pre-production.
Alan Taylor, director of Thor: The Dark World, is in talks to direct the fifth movie in the Terminator franchise. T5 is the start of a stand-alone trilogy of movies in the Terminator setting. However…
Terminator rights return to James Cameron in 2019.
A change in copyright laws changed the length of time before rights return to the creator to 35 years. The current licensees, Megan and David Ellison of Skydance Productions picked up the rights to make three movies, but the time limit may lead to just two. Cameron could license the rights back if he chooses to do so.
Speaking of Cameron, Avatar to get three sequels.
The three movies will be shot simultaneously. Tapped for screenwriting are Josh Friedman (Terminator: The Sarah Connor Chronicles), Rick Jaffa and Amanda Silver (Rise of the Planet of the Apes), and Shane Saerno (Aliens vs. Predator: Requiem). Release dates are already set for December of 2016, 2017, and 2018.
Bradley Cooper to play Rocket Raccoon.
Cooper joins Zoe Saldana, Dave Bautista, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, Benicio del Toro, and John C. Reilly in the cast.
World of Warcraft movie to film in Vancouver.
If Azeroth looks familiar, it’s because Vancouver and environs have been seen in many, many movies and TV series, doubling for such exotic locations as Caprica, Starling City, Storybrook, Maine, and every planet seen in the Stargate TV series.
50 Shades of Grey gets cast named.
Dakota Johnson and Charlie Hunnam have been cast as the leads to the movie adaptation of the Twilight fanfic. 50 Shades is due out in 2014. However…
Fans aren’t happy about the casting choices.
They want the actors EL James used as models for her characters, Alexis Bledel and Mat Bomer, and have set up a Change.org petition. What, they don’t want Kristen Stewart and Robert Pattinson?
HBO ending True Blood in 2014.
After seven seasons, True Blood, based on the Sookie Stackhouse series by Charlaine Harris, will come to an end. Not a bad run for any TV series.
Stargate to get reboot trilogy of movies.
Roland Emmerich, the director of the original Stargate movie, is rebooting the movie franchise. He originally wanted a trilogy of movies the first time round, but MGM went with a Stargate SG-1 instead. Fan reaction will be mixed and heated.
DiCaprio producing The Island of Dr. Moreau.
Leonardo DiCaprio’s company will produce the sixth adaptation of the HG Wells novel about a geneticist running amok and playing God.
Blade Runner sequel in the works.
After over 30 years, Blade Runner may be getting a sequel. Hampton Fancher, who contributed to the original screenplay, and Ridley Scott will be on the project. The script is being rewritten by Michael Green, who worked on the Green Lantern script.
Dwayne Johnson is The Fall Guy.
The old Lee Majors TV series about a bounty hunting stunt man is being remade as a film, helmed by McG. Production has not yet started. Any guesses on what the next old TV series to be remade as a movie?
Anne of Green Gables musical adaptation looking for Canadian filmmaker.
Based on the popular children’s novel, the musical is to be filmed on location in PEI. No release date has been set. Line ups in Tokyo should start the moment one is announced.
Ant-Man rescheduled for Summer 2015.
The release date for /Ant-Man/ has been moved up from November to July, 2015. This places the hero who, in the main Marvel universe, created Ultron almost three months behind the killer robot’s debut in The Avengers: Age of Ultron
Cracked.com covers why remakes don’t work.
A Quick-Fix, but hits several major points. Point #2 is particularly relevant – relevance. Many works are a product of their time and don’t adjust well to modern sensibilities. Not covered, lack of respect for the original work.
Dungeons & Dragons film faces court challenge.
Not from fans of the game who saw the original movie, but from Sweetpea Entertainment. Univsersal Pictures received the D&D license from Hasbro, current owners of Wizards of the Coast, publisher of the RPG. Sweetpea alleges that they had received the D&D license in perpetuity in 1994, when the third edition of the game was released. The timeline given in the story is off; WotC signed the original 1994 licensing agreement, whatever the terms were, and Hasbro purchased WotC in 1999. Looks like many lawyers are going to get experience to level up in this case.
Fourth Jurassic Park sequel given release date.
Universal Pictures has until June 12, 2015 to make Jurassic World, already slated to be in 3D.
The Mortal Instruments: City of Ashes to be delayed.
With the first of the trilogy, City of Bones a financial flop, the second movie is having its release delayed. The film is in production and will add Sigourney Weaver to the cast. Not helping the movies is that the books never reached the mindspace of the general audience that Harry Potter, Twilight, and The Hunger Games had. Most people, even if they haven’t read any of Twilight could name several characters. The Mortal Instruments doesn’t even have that.
Philip K. Dick is the most adapted science fiction writer, with eight novels having been transformed into movies and TV series. Some of Dick’s key elements, the questioning of what is real, what is humanity, and what is God, make it difficult to keep the original story intact. The results have been mixed; Minority Report borrowed from Dick’s short story “The Minority Report” but created its own ending. Total Recall was based loosely on “We Can Remember It For You Wholesale”.
The 1968 novel Do Androids Dream of Electric Sheep is typical of Dick’s works. Rick Deckard, a bounty hunter who specializes in hunting rogue androids who blend in with humanity, takes up the search to find and “retire” (read: kill) six Nexus-6 androids while dealing with a home life that is falling apart. Because androids blend in so well with the human populace, several different tests have been created to help determine who is real, including the Voight-Kampff empathy test. Deckard starts his investigation at the Rosen Industries, manufacturers of the Nexus-6 line, where he meets Eldon Rosen, head of the Rosen Association, and his neice, Rachel. Rosen insists that Deckard should give the Voight-Kampff test to Rachel. When she fails, Rosen says it’s because she grew up on a colony ship heading to Proxima that had to turn back.
Meanwhile, one of the escaped Nexus-6 androids, Pris Stratton, has moved into an apartment building with just one other occupant, J.R. Isidore. Isidore is a genetically damaged driver for an animal repair shop; his disability, brought on by radioactive fall-out, prevents him from leaving Earth. Pris befriends Isidore, and uses him to try to stop Deckard from retiring herself and her fellow escaped androids. Interwoven are elements of the setting, a post-nuclear war Earth where radiation is tracked by weather satellites, animals are artificially created because there are so few left, Mercerism where adherents can feel the suffering of Wilbur Mercer as he climbs a mountain while rocks are thrown at him, and off-world colonization.
Ridley Scott’s adaptation, Blade Runner, has had several versions. The theatrical release had Harrison Ford narrating in a voice over and a happy ending using scenes cut from The Shining. The narration was asked for by the studio and added after test audiences had trouble following the movie. An international theatrical release had more violence, including on-screen eye gouging. In 1992, a “director’s cut” – in realty, a workprint prototype – was discovered and screened at an LA film festival. The print did not have the full soundtrack with Vangelis’ music, using a temp track from Planet of the Apes instead, but was successful enough to convince Warner Bros. to create a proper director’s cut with input from Ridley Scott. This cut removed the voice over and the happy ending and added a dream sequence involving a unicorn. Scott, however, was busy at the time, so could not put his full attention on it. Finally, in 2007, he did get the time and put together the Final Cut that included some newly reshot footage and some redubbing. It is the Final Cut that will be reviewed; it is the version that is closest to what Ridley Scott wanted to make.
Blade Runner is definitely an adaption of Do Androids Dream of Electric Sheep, but the movie doesn’t adapt everything from the book. Some changes, such as the year the story is set, were made to reflect that time has passed since the book’s first release. In 1968, 1992 was a distant future, especially with the Cold War threatening to turn hot and nuclear. In 1982, while the Cold War was still happening, it was starting to build back up through tensions; nuclear war was still a possibility but not as immediate. Deckard was no longer a bounty hunter but a former police operative known as a “blade runner” who tracked Replicants who escaped to Earth. Deckard’s bounty hunter comrade, Dave Holden, became another blade runner, one still working with the police. J.R. Isidore became J.F. Sebastian, a genetic designer with Methuselah Syndrome, a genetic disease causing his body to age faster than normal. Rosen Industries became the Tyrell Corporation, with the founder’s name changing to match. Little details, mostly. Other elements were removed completely; Mercerism isn’t shown or mentioned. Deckard’s wife appears only in a photo, though no explanation was given on his marital status.
Despite the changes, the movie holds to the core of Do Androids Dream of Electric Sheep. The hunt for the androids, the Voight-Kampff empathy test, the budding humanity in the Nexus-6 escapees, Tyrell Corporation trying to create an android that can pass the Voight-Kampff test. The visual look of the movie matches the feel of the novel. Blade Runner isn’t a shot for shot adaptation; the movie is as much Ridley Scott’s vision as it is Philip K. Dick’s, but the issues examined – what is real, what is human – come through clearly in both. The end is where the two works diverge the most. In the novel, Deckard returns home to his wife after meditating in Oregon and finding a toad, Wilbur Mercer’s favorite animal. In the movie, Deckard and Rachel leave his apartment to go, well, Scott left that up to the audience.
Is Blade Runner a good adaptation? For the most part, yes, even with the changes. It helps that the movie is a visual feast. Blade Runner has inspired numerous creators, from TV and movies to video games to tabletop RPGs to music. The movie melded film noire with science fiction, predicted several trends and technologies. Blade Runner is a masterpiece on its own. As an adaptation, it picks and chooses from the original novel, taking what it can do and leaving the bits that won’t work.
Next week, the September link round up of adaptation news.
(Apologies. The Blade Runner review is coming.)
Food poisoning while working on Pirahna II: The Spawning gave James Cameron a nightmare that led to one of movie-dom’s iconic images. The nightmare consisted of a robot assassin sent from the future to kill him. When he recovered, Cameron wrote a screenplay based on the images, The Terminator.
The Terminator was a low budget science-fiction/horror film released in 1984. While Cameron had written scripts before, he also wanted make his feasture film directorial debut with The Terminator. Studios were hesitant to let an inexperienced director make a movie. Pacific Western, started by Gale Anne Hurd who had worked with Cameron when they both worked for Roger Corman, purchased the script with the proviso that Cameron directed. The making of The Terminator is a great example of networking in action; not only did Cameron get a good deal through Hurd, through their work with Roger Corman, Cameron and Hurd knew people at Orion Pictures, who eventually distributed the film. Helmdale Pictures only picked up the script after Lance Henriksen, a friend of Cameron’s, showed up as a Terminator. Arnold Schwarzenegger got involved because one of Orion’s co-founders had sent him the script; Arnold was being considered as Kyle Reese, Sarah Connor’s protector, but discussion between Arnold and Cameron led to Schwarzenegger being the Terminator. For special effects, Cameron wanted Dick Smith, who had done the effects for Taxi Driver. Smith turned down the offer, but suggested Stan Winston, benefitting all involved.
The plot of The Terminator has a killer robot sent back in time to kill Sarah Connor, the mother John Connor, who will be* the leader of the resistance against Skynet, an AI that will launch a nuclear in the future to destroy humanity. John, though, sends back Kyle Reese to protect Sarah. The Terminator starts looking for Sarah and takes the direct route, killing every Sarah Connor in LA. By the time the Terminator finds the right Sarah, Reese has, too, and he has a photo of her, one given to him by John. During the chase, Reese reveals that he’s been in love with the woman in the photograph and, during a rest stop, the two have sex. The Terminator catches up during the rest; the chase continues into a factory. Reese is killed, but Sarah gets the killing blow in with a hydraulic press. As the movie ends, we see Sarah, pregnant with John.**
Terminator 2: Judgment Day introduces an teenaged John Connor living with foster parents while Sarah is locked away in a psychiatric hospital. No one believes her when she rambles about preparing for the rise of Skynet. However, Sarah turns out to be like the mythical Cassandra when a new (to audiences, at least) model of Terminator arrives to kill John and Sarah. This time, John sends back a reprogrammed Terminator to help his younger self and his mother. However, Sarah realizes that she has a chance to delay if not outright prevent the creation of Skynet.
In 2009, Terminator: The Sarah Connor Chronicles began airing on Fox. The series was a spin-off from the movies, showing more on how Sarah and John prepared for Judgment Day. Skynet didn’t back down, either; the AI network sent a new model of Terminator, a T-888 known as Cromartie. The John Connor in the future also kept an eye on things and his memory, and sent back a reprogrammed Terminator to act as his younger self’s bodyguard. In the TV series, Linda Hamilton’s Sarah was taken over by Lena Headey (currently playing Cersei Lannister), Thomas Dekker replaced Edward Furlong as John Connor, Garret Dillahunt as the Terminator Cromartie, and Summer Glau as Cameron, the reprogrammed Terminator. The series allowed writers to explore the setting in greater detail, including how Skynet formed, what the Resistance is doing, and what Skynet is doing outside of finding John Connor. The series lasted two seasons, including the short first season. It had one problem; it was a science fiction series on Fox***.
As a spin-off, Terminator: The Sarah Connor Chronicles took elements from the movies and expanded them, giving viewers a new look at the events both in the movies and leading up to Judgment Day. The characters either continued to develop as last seen in the movies (John, Sarah, Skynet) or took on elements seen previously and built on them (Cameron, Cromartie). Actions in the series didn’t disrupt or nullify what happened in the movies**** unless the writers deliberately set out to do so. Even then, a character would comment on what happened, acknowledging the change. Having writers who understood the feel of the original (science fiction/horror) and second (science fiction/action) movies and able to combine both into an ongoing series. With Headey maintaining the survivalist mom character created by Hamilton, Sarah Connor was as believable as she was in the previous movies, going from carefree waitress to Cassandra to Resistance creator.
Terminator: The Sarah Connor Chronicles worked well, adapting the elements from previous works and integrating them into a longer narrative. As a spin-off, the series expanded the Terminator universe, giving it more breadth and depth.
Next week, Blade Runner. I hope.
* Time travel weirds verb tenses. Very few languages have the past-future tense where something will have happened tomorrow.
** Time travel also weirds family trees. Skynet is also the instrument that creates the resistence. Computers are just as bad at working out time travel as humans.
*** Fox has a reputation for not supporting its science fiction series.
**** Given that the series is trying to disrupt a segment of time that did exist but is in flux because, as a wise Muppet said, “always in motion the future is”, continuity could become wibbly-wobbly. Time travel weirds continuity, too.
(Apologies. The Blade Runner review is coming.)
One item I haven’t touched in Lost in Translation is the nature of spin-off series and movies. The only media tie-in I’ve reviewed was a Nikki Heat novel by Richard Castle, and that was only because the idea of a physical novel by a television character in a series where the character is researching a novel* was a Moebius strip of meta-layers. At the beginning of the review, I mentioned that I treated tie-in novels as merchandising instead of adaptations. That still left spin-offs, projects that take a character from one work and build a new work around that character. Spin-offs are seen mainly with television; a popular character on one series is given a chance to carry his or her own. Successful spin-offs include Frasier (based on the character in Cheers), Rhoda (based on a character from The Mary Tyler Moore Show), and Torchwood (from Doctor Who). Not all spin-offs work, though; sometimes, the Powers That Be overestimate how popular a character is without understanding why he or she is popular. Examples include Enos (from The Dukes of Hazzard), The Tortellis (from Cheers), and Galactica 1980 (from the original Battlestar Galactica).
What makes a spin-off different from a remake, a reboot, or an adaptation? Scope; spin-offs expand the original work, showing more of the setting or allowing a character to develop in a different way. Remakes keep the same scope as the original work; reboots reset the original; adaptations transfer the original to a new medium. Spin-offs keep the original work intact, using it as a base to build from. The definitions get complicated, though. Stargate SG-1 had spin-offs – Stargate Atlantis and Stargate Universe. At the same time, SG-1 was based on the movie Stargate. Does that make SG-1 a spin-off, a reboot, a continuation, an adaptation, or a combination of all four?
The spin-off is another derived form in entertainment. Many popular series began as a spin-off of another, often without people realizing. The BBC series Comedy Playhouse has had a number of spin-offs, some of which were adapted as other series that then spun off other series. Just a sample of the series below:
– Are You Being Served?
– Steptoe and Son, which was later adapted as
– Sanford and Son in the US
– Till Death Us Do Part, which was later adapted as
– All in the Family, which spun off
– The Jeffersons, and
– Maude, which in turn spun off
– Good Times.
This is ignoring spin-offs that didn’t last or make as large an impact as the above did. If I were to review, say, Maude, what would I compare it to, All in the Family, Till Death Us Do Part, or Comedy Playhouse?
Ultimately, that is the question. What do I consider the original work for a spin-off, especially in cases like Comedy Playhouse? With shows that have an easy to follow lineage, like The Super Dave Osbourne Show (spun off from the Super Dave sketches on Bizarre), it’s easy; there’s just one source to consider. Now consider Caprica, spun off from the rebooted Battlestar Galactica as a prequel showing just when the Colonies were doomed.** Should I compare Caprica with the original Galactica or the reboot? And, given the Comedy Playhouse geneology above, if I review Good Times, where do I start?
Obviously, I can’t ignore spin-offs. The Stargate franchise deserves a look at some point, and I do have plans to review Ma & Pa Kettle, a spin-off of an adaptation. Spin-offs are as much a factor as adaptations. I just need to figure out how to properly review them.
Next week, hopefully, Blade Runner.
* With the fictional character writing himself into the novel under a different name.
** Pro tip: Never base an artificial intelligence for a war machine on your deceased teenaged daughter when your family makes the Lannisters stop and say, “Dude, that’s messed up.”
Obsidian Entertainment is hiring.
Obsidian Entertainment is looking for artists, programmers, designers, producers, testers, and interns to seniors.
(Via @ChrisAvellone on Twitter)
How a computer program discovered the author of A Cuckoo’s Calling,
Robert Galbraith was recently outed as the nom de plume of JK Rowling. Patrick Juola describes how his program determined Rowling was, indeed, the author through stylometry.
Ben Affleck: Batman.
Twitter got burning at the news. Reaction is, well, negative is a good, descriptive word. Affleck will play the Dark Knight in a sequel to Man of Steel, expected release date is 2015.
Steve Ballmer retirement date set.
Microsoft’s CEO Steve Ballmer will retire in the next year. This adds a new complexity as Microsoft adjusts from a lukewarm welcome for Windows 8 and the shrinking of the PC market.
Artists, musicians have delayed cognitive reduction.
Along with being creative, artists and musicians can continue to create even with vascular degeneration. Neurologists in Toronto determined that artists and musicians are better protected against diseases such as Alzheimer’s. Bilingual patients showed similar results.
Board game cafés opening up across nation.
No wi-fi here. Snakes and Lattes in Toronto was the first, but more board game cafés are opening across Canada, including Monopolatte in Ottawa and Krowns in Calgary.
DC Comics launching Justice League Canada.
Canadian writer Jeff Lemire slated to helm the series. The title is due out in 2014, with the team roster still unrevealed.
Bureaucracy becomes a nail-biting video game.
Processing as an immigration border officer adds in complex situations and requires the player to make difficult decisions. Not the usual approach to a video game, but compelling.
Toronto Fan Expo becoming cosplay highlight.
Half of Fan Expo’s attendance will be in costume. Last year’s attendance reached 91 000. That’s a lot of costumes and hours to create them.
Project for Gamercamp turns video game heroines into fashion statements.
The Double Flawless project brings together video games and fashion as five iconic heroines – Princess Zelda, Commander Shepard, Lara Croft, Chun-Li, and Mileena – get makeovers. See the initial designs here.
Adjuncts falling behind in salary and opportunities, an infographic.
Budget squeezes on colleges and universities are being made up on adjunct lecturers to the point where they need food stamps to make ends meet.
Meanwhile, tuition fees keep going up.
Colleges and universities are making up cutbacks by increasing tuition, which has grown 5.5 times as much since 1985. So the adjunct above has paid far more for tuition than the tenured profs and still needs to pay back student loans while earning a lower salary.
So how is morale?
The Alberta Conservative government surprised colleges and universities by reneging on a campaign promise to increase education funding by 2% and going the other direction with a 7% cut to post-secondary education. The University of Alberta’ Faculty of Science responded by cutting available spots for new students by 300 while the Faculty of Arts is closing 20 arts programs. Earlier today, the UofA’s president announced another 7% cut to academic programs. How’s morale? Poor. (See also, adjuncts falling behind in salary and benefits, above.)
Cracked looks at movies being remade.
The article is a month old, but the list has Point Break, Day of the Dead, League of Extraordinary Gentlemen, and two separate Jungle Book adaptations. Point Break will remove the surfing element, replacing it with extreme sport, thus making the title an artifact. League is being developed as a TV series, which may fit the original comic better. Yes, that will make League a remake of an adaptation.
Another adaptation coming: The Exorcist.
The Exorcist, originally a book but adapted as a movie where it is better known, may be returning as a TV series. The idea is still being shopped around, but networks and cable stations are at least intrigued.
Five hundred new fairytales discovered.
Disney now has even more stories to animate. The tales were found in a German archive. Franz von Schönwerth collected the tales in Bavaria around the same time the Brothers Grimm were. One of the formerly lost tales, “The Turnip Princess” is now online at the Guardian’s site.
Steven Spielberg negotiating rights for The Grapes of Wrath.
The Steinbeck novel turns 75 next year and many producers and directors are trying to get the rights to film it. The book was adapted once before, by John Ford in 1939.
The Hollywood Meltdown continues. Spike Lee talks with John Berman on CNN on why originals aren’t being made and the future of movie making.
The big issue is that Hollywood studios now need the international market to turn a profit on big budget blockbusters. In China, audiences don’t go out to original movies but will flock to characters they already know. Thus, major comic book movies (except R.I.P.D.) and sequels do better there than unknown characters. Lee is also turning to Kickstarter to fund his next movie, seeing crowdsourcing as not that much different as raising money for his first joints, except he doesn’t have to lick as many stamps this time.
The question the studios have to consider is, “Is this movie worth the money being spent on it?” If The Hangover III cost US$103 million while The Phantom Menance cost US$115 million, there’s something wrong. (For comparison, the first Hangover only cost US$35 million to make and performed better in theatres compared to the third movie in the trilogy.)
Spielberg, who has noted the oncoming implosion, is predicting that it may cost more to see movies like Iron Man than to see Lincoln after the meltdown, with filmmakers Lee and George Lucas agreeing.
Next week, Blade Runner
After wrapping up the Avengers Adaptation series last week, I started wondering what was in store for adaptations of comic books. If you’ve followed along here at MuseHack, you’ll have noted the posts about the movie meltdown coming. From Spielberg to Cracked.com, the current bubble is predicted to pop, possibly as early as 2015. Meanwhile, Marvel Studios and Warner Brothers have a number of big screen adaptations in planning. Add in companies like Dark Horse Comics, and the comic book movie looks to be a mainstay until the pop.
First, Marvel Studios has a number of sequels related to The Avengers, including Thor: The Dark World and Captain America: The Winter Soldier. Outside the Avenger titles, Marvel’s taking a risk with Guardians of the Galaxy, based on an older title of space-faring heroes. Another risk, though linking back to The Avengers, is the Ant-Man movie. Marvel did succeed with the movies leading to The Avengers despite the characters being lesser known. What may help is Marvel Studios using existing storylines from the comics. That still leaves the question on whether audiences are willing to give the non-sequel movies a shot. Summer of 2013 has audiences not turning out for the big-budget blockbusters as they had in the past.
Marvel Studios isn’t the only studio adapting Marvel titles. Fox has the rights to the X-Men and related titles and characters and have released The Wolverine and is working on X-Men: Days of Future Past combining the original X-trilogy with X-Men: First Class. Sony has the rights to Spider-Man and has rebooted the series.
Over at Warner, owner of Marvel’s Distinguished Competition, the success rate of movies depends on whether it centres around Batman. Man of Steel underperformed at the box office. The Green Lantern fizzled. Catwoman bombed. The Dark Knight trilogy did do well, though. The advantage Warner has is that it holds all the rights to the DC characters. If they need a character, they have the access. However, the lesson that Warner learned is that dark, grey, and gritty is the way to go, leading to Man of Steel. Warner’s next adaptation is based on World’s Finest, a Batman-Superman movie. Meanwhile, a Justice League movie may be on its way, thanks to the success of The Avengers, but this would put Warner into the position of catching up with Marvel. With The Green Lantern‘s middling success and the studio having no idea what to do with Wonder Woman, that leaves the rest of the classic team in limbo. Aquaman would need a Dini-verse makeover. The Flash would mean trying to pick which Flash* to use. There is a Flash movie in the works for 2016, though. The character does not work in a grim and gritty story. Other than Batman, the Green Arrow has had some success through the TV series Arrow
Adding to the movie implosion of 2013 is R.I.P.D., an adaptation of a Dark Horse comic of the same name. The comic doesn’t have the same name space in pop consciousness, so the failure of the movie shouldn’t impact the title. However, by being off the pop culture radar, the movie had to rely solely on marketing, a problem plaguing several releases over the past few years, including John Carter. While Marvel Studios, Fox, Sony, and Warner have the money to get word of a movie out to everyone if they wish**, a lesser movie won’t get the money behind it. R.I.P.D. did have marketing, but audiences stayed away.
Marvel managed to capture attention using the Avengers Initiative and high quality movies. Warner needs to play catch up without looking like a Marvel imitator, making the success of a Justice League movie difficult.
Next week, Blade Runner
* Jay Garrick, Barry Allen, and Wally West have all taken up the mantle of the Flash in DC Comics.
** For a counter-example, see John Carter. Please.
