Tag: tie-in


Posted on by Scott Delahunt

The World Wide Web is an equalizer when it comes to entertainment. While major studios have money to throw into marketing, word of mouth can be more effecting online. It shouldn’t be surprising that web series have become popular the way TV series and films have. Rooster Teeth began as a machinima producer with Red vs Blue, using Halo: Combat Evolved to tell the story of the forces defending a strategic box canyon. Rooster Teeth’s latest hit is RWBY, with season seven coming this November.

RWBY, pronounced “Ruby”, follows four students at the Beacon Academy on the world of Remnant – Ruby, Weiss, Blake, and Yang. Team RWBY learns how to work as a team and with their classmates, including Team JNPR (“Juniper”), with the goal of becoming Huntresses to fight off the Grimm, monsters out of fairy tales that roam the lands of Remnant endangering the inhabitants. Created by Monty Oum, the series has action, comedy, and drama in equal portions, sometimes intermingling. The series uses fairy tales, myths, and legends for inspiration, tweaking them for the story and setting.

Season one sees Team RWBY as fresh students at the Beacon Academy. As the series progresses, they discover the larger world around them, including criminal organizations, the White Fang (a Faunus terrorist group), and different types of Grimm. The Grimm, though, do attack Beacon, causing it to fall and leaving Team RWBY working to clean up.

The Fall of Beacon is where the novel, RWBY After the Fall, by EC Myers, picks up. Instead of following Team RWBY, as the series does, After the Fall chronicles a different team, Team CFVY (“Coffee”), composed of leader and fashion plate Coco Adel, rabbit Faunus Velvet Scarletina, blind but crafty Fox Alistair, and burly yet gentle Yatsuhaishi Daishi. It’s not just Beacon having problems with the Grimm after the Fall of Beacon. All of Remnant is being overrun and Huntresses and Huntsmen are needed, even if they haven’t completed their education.

While the focus is on Team CFVY, Team RWBY shows up in flashbacks that show CFVY trying to come together. Coco, Fox, Velvet, and Yatsu are distinct characters, with their own motives and personalities. They are sent to the continent of Vacua, a land of desert and Fox’s home, where the inhabitants keep on the move. With the Grimm around, life gets difficult. Worse, a group of refugees being protected by CFVY are inflicted by mood bombs, pushing negative emotions to the point of in-fighting and drawing the Grimm to them. Adding to the problem are Bertilak and Carmine, experienced Huntsmen protecting Edward and Gus who have their own mission.

Team CFVY is pushed to their limits as they try to deal with everything, the refugees, the Huntsmen and their charges, and the Grimm. The only haven may lie on the coast, but getting there is one challenge after another. The team has to dig deep into their personal reserves to be the heroes they were training to be.

After the Fall may be the first tie-in novel based on a web series, an indication of the evolution of where audiences find their entertainment. The novel also branches off from the main series, showing what is happening beyond the exploits of Team RWBY. The world of Remnant gets a little bigger with After the Fall. By moving to another continent, there’s no chance of derailing the main plot, a risk if the original series is still ongoing. An episodic series, like Star Trek: The Next Generation, doesn’t run that risk. RWBY, though, isn’t episodic. Each episode builds off the previous and towards the next. The separation is needed.

At the same time, the draw is Team RWBY. They’re the stars. The series is named after them. The need to appear. The cameos may or may not be enough, depending on the reader. However, by putting the focus on Team CFVY, the novel presents several new lenses to view Team RWBY. The setting allows for and has even presented other teams, such as Team JNPR. There is room for more teams. Team CFVY is believable as attendees at Beacon.

The writing is solid. EC Meyers presents the story with a light touch, making for a quick but deep read. He has the mix of action, drama, and comedy that RWBY has. Coco, Fox, Velvet, and Yastu may be a year older than Ruby, Weiss, Blake, and Yang, but they still have a lot to learn, especially from each other. There’s hints of what lies in the future for Team CFVY, but only if they can survive their challenges.

Taking an animated series and translating it to a text-based medium takes a deft touch. EC Meyers pulled off the trick by remembering the source and making sure that the characters fit in the setting. RWBY‘s first tie-in novel brings the setting to life, expanding it through the eyes of a new team.

Posted on by Scott Delahunt

Normally, a franchise tie-in novel isn’t considered here at Lost in Translation.  The only exception so far has been a Nikki Heat novel by Richard Castle, mainly because of the metafictional aspects the book provides.  However, a recent discovery brings up the nature of tie-in novels.  How much time since the end of the original work is needed before a tie-in novel becomes an adaptation in its own right?

Murder, She Wrote was the television equivalent of a cozy mystery series, a number of novels featuring the same core cast of characters where later entries focused more on the lives of the cast than on the mystery.  “The Cat Who” mysteries by Lillian Jackson Braun and the Mrs. Murphy books by Rita Mae and Sneaky Pie Brown are good examples of cozy mysteries series.  With Murder, She Wrote, Jessica “JB” Fletcher, a widow and retired English teacher turned mystery writer played by Angela Lansbury, solved murders on a weekly basis for CBS from 1984-1996, followed by four made-for-TV movies.  While Jessica did tour the US, either to visit friends and family or to promote her latest book, she also spent time in her hometown of Cabot Cove*, a fictional town in Maine, letting the TV series build a cast of regular recurring characters.

A typical episode of Murder, She Wrote had the murder victim and prime suspect, who had some connection to Jessica, introduced to the audience; the murder itself; the police arresting the prime suspect; and then followed Jessica’s investigations through to the reveal of the real killer.  The show allowed viewers to make their own observations, letting them try to figure out who the murderer was before Jessica.  There were no sudden reveals; all the clues were shown.  The reaction of the police varied.  Most tried to keep Jessica from getting involved in official business, but some accepted her help, including Sheriff Amos Tupper, played by Tom Bosley, and Sheriff Mort Metzger, played by Ron Masak, both of the Cabot Cover Sheriff’s Department**, both of whom relectantly accepted Jessica’s help because of her track record.

The first Murder, She Wrote tie-in novel, Gin and Daggers, was released in 1989.  The novel was written by Jessica  Fletcher and Donald Bain, and had a few inconsistencies, including having Jessica driving where in the series, she didn’t even have a license.  A second edition that corrected the problems was released in 2000.  Five tie-in novels were released before the series ended in 1996.  Afterwards, an average of two Murder, She Wrote novels were released each year since.

Killer in the Kitchen, published in 2015, begins in Cabot Cove.  The first part of the novel introduces the murder victim and the obvious suspect along with the supporting cast.  Brad and Marcie Fowler, the son and daughter-in-law of Jessica’s friend Isabel, have been working towards opening a seafood restuarant in Cabot Cove, extending themselves financially.  Brad has a short temper and a shaky sense of the restaurant business.  He and his wife need their endeavor, the Fin and Claw, to succeed.  However, noted chef Gérard Leboeuf has decided to open a new restaurant in his chain right across from the Fin and Claw.  Gérard knows the business, once letting Jessica look behind the scenes of his New York City as part of research into one of her mysteries, but has the manners of a boor.  During the Fin and Claw`s grand opening, Gérard goads Brad on, leading to threats of violence from the latter.

It is no surprise when one of the chefs turns up dead with a kitchen knife in his chest.  Dr. Seth Hazlitt, who was played by William Windom in the series, fills in for the Medical Examiner, and gives Sheriff Metzger the details on the cause and time of death.  The Sheriff suspects the rival chef because of obvious reasons, but Jessica believes that someone else murdered the dead man.  Clues are laid out for the reader to follow, but not always explicitly made mention by Jessica.  Other characters become suspects, if not to Jessica, then to the reader, especially once the victim’s home life and possible Mob connections are revealed.

The goal of a tie-in novel, beyond the “make money” aspect, is to present the characters as fans of the original work see them.  The problem there is that each member of the audience could have a valid but differing interpretation of the character***.  The success, or lack thereof, depends the author setting not only the right tone for the novel but having a good ear for how characters speak and a good eye on how they act.  As mentioned above, Gin and Daggers had issues with details that were corrected with a second edition.  Murder, She Wrote was a light mystery, a cozy, with a well-meaning busybody snooping around when she felt the police had arrested the wrong person.  Writing in the style of Dashiell Hammet or even Richard Castle would miss the proper mood.  Jessica was well define in the run of the TV series; she needs to behave in the novel as she did on TV.

Killer in the Kitchen is written in the first person from Jessica’s point of view.  Getting her right is critical, and Bain does a good job getting Jessica’s voice correct.  Likewise, the recurring characters who do show up also have the correct voice.  One can easily picture Angela Lansbury, Ron Masek, and William Windom back in their roles.  The result is a story that would very much fit in the run of the TV series, twenty years after the show left the air.

* Cabot Cove, Maine, fictional America’s murder capital, beating out the current one, Detroit.
** Sheriff Tupper retired in his last appearance on the show in 1988, possibly in preparation for Bosley to star in Father Dowling Mysteries.  Sheriff Metzger was a New York City police officer who thought that Cabot Cove would be more peaceful.
*** Then there’s the out of left field interpretations, such as Jessica Fletcher being the most successful serial killer on television and responsible for all the murders during the run of Murder, She Wrote.

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