This week, a bit of an experiment. Some time back, Lost in Translation reviewed the 2019 Amazon adaptation of the Neil Gaiman and Terry Pratchett novel, Good Omens. It’s a book I’ve enjoyed and have read many times. Given that, I decided to try something new and read along wit the 2014 BBC Radio 4 dramatisation of the novel.
Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch was first published in 1990 and was a comedy about Revelations and Armageddon. The cast includes angels, demons, the Antichrist, humans, and the Four Horsemen of the Apocalypse, though the focus is on several groups. The first group is the angel Aziraphale and the demon Crowley, both of whom have been on Earth since its creation on October 21st, 4004BC. The next key group are the descendants of Agnes Nutter, the latest being Anathema Device. The third group is the Them, one of Tadfield’s two pre-teen gangs, consisting of Adam, the Antichrist, and his friends, Pepper, Brian, and Wensleydale. Then there’s the Witchfinder Army, consisting of Witchfinder Sergeant Shadwell and new recruit, Witchfinder Private Newt Pulsifer, with Madame Tracy, Shadwell’s neighbour. Finally, there’s the Four Horsemen of the Apocalypse, Death, War, Famine, and Pollution, with the Four Bikers of the Apocalypse, Big Ted, Greaser, Pigbog, and Scuzz. On the sidelines, a host of angels and demons who wait for the Final Battle.
The story covers the final days of the Earth as the forces of Heaven and Hell amass and Aziraphale and Crowley try to find the Antichrist, who they lost. The core idea is, what if the Antichrist was raised to be human incarnate? What if the Antichrist grew up without divine or infernal influence? The novel also takes a humourous look at serious topics, like the environment, nuclear power, the nature of power, and raising children. The means of highlighting these issues is to parody several sources, including The Exorcist, New Age beliefs, the Books of Genesis and Revelations, beliefs of the Seventeenth Century, among others.
In 2014, with the popularity of the novel and the authors, BBC Radio 4 produced the radio dramatisation of Good Omens. It aired from December 22-27, six episodes total, featuring a full cast. The series starred Mark Heap as Aziraphale, Peter Serafinowicz as Crowley, Jim Norton as Death, Adam Thomas Wright as Adam, Josie Lawrence as Agnes Nutter, Charlotte Richie as Anathema Device, Colin Morgan as Newton PulsiferClive Russell as Sgt. Shadwell, and Julia Deakin as Madame Tracy.
The experiment with the dramatisation was to try to follow along with the novel. The idea was to see what was dropped, what was re-written for the new medium, and what was changed. What wasn’t expected was the changing of when scenes occurred in the narrative. What works in text doesn’t always work in radio. Case in point, the use of footnotes, extensively used in Good Omens, giving extra details about a situation. It’s easy enough to add a footnote at the bottom of a page. For radio or television, the information needs to come out in a different way, such as dialogue.
As an adaptation, the dramatisation uses most of the novel. Unlike the Amazon mini-series, the dramatisation gets into what the Apocalyptic Horsepersons were doing before being summoned. War is a war correspondent known for being at the spark of a new conflict. Famine runs a chain of fast food restaurants with no nutritional value, which isn’t unusual, and is launching a new food substitute called FOOD™ that has zero calories. Pollution spends his time at formerly pristine nature sites. Death has never left, and appears at a diner playing a trivia game until he gets stumped on when Elvis Presley died. “I NEVER LAID A FINGER ON HIM.”
The Four Bikers of the Apocalypse remain in the dramatisation. Cut from the Amazon series due to time limits and cast size, the Four who aren’t in Revelations do show up, as adding extra voices and then killing them off in a rain of fish on the the M25 Sound effects on radio are less expensive than full visual special effects on screen. Likewise, Elvis is in the dramatisation, working as a short order cook, thus why Death couldn’t answer when he died. Gone are anything that is purely visual; while anything that can be done using dialogue or sound effects could be kept. That means the trees in Brazil undergoing a rapid growth and Hastur devouring an outbound telemarketing centre were dropped.
The dramatisation did start jumping around in the book in episodes three and four. It doesn’t hurt the story, though. The scenes aren’t critical; changing the order they appear doesn’t affect the overall plot. Moving the introduction of the Apocalyptic Horsepersons to just before they ride together means they’re fresh in audience’s minds. Other scenes are more informational, providing details without advancing the plot. Once everything is set in motion, the scenes follow what is written in the book, though some scenes are in parallel with others. The dramatisation then returns to the order in the novel for the climax as all the different groups come together in the US Air Force base outside Tadfield.
The experiment didn’t play out as expected, but a dramatisation isn’t an audio book. A repeat of the experiment will have to be tried with a proper audio book to see if one can work to prepare for a review. Radio dramas have their own requirements that may not map ideally to an audio book, but they both depend on the audio component.
As an adaptation, the dramatisation works. Some scenes are lost, but more of the novel is kept in the radio drama than in the Amazon series. Both do manage to capture the core of Good Omens, balancing the nature of the end of the world with the right amount of humour. It’s not an audio book, but the BBC Radio 4 dramatisation is worth a listen.
Let’s round up those tidbits and see what’s going on.
NBC drops a house on Emerald City.
NBC’s entry to the 2015-16’s Wizard of Oz lineup has had its plug pulled and water poured on the corpse. Emerald City was going to be The Wizard of Oz as seen through a the lens of A Game of Thrones. Disagreements between NBC and showrunner Josh Friedman launched the suborbital house drop. Friedman will shop Emerald City around.
Chloë Moretz says Kick-Ass 3 dead due to piracy. Screen Rant says, not so fast.
Kick-Ass 2 broke even in the US with overseas markets adding to its total take. Moretz, who played Hit-Girl, believes that piracy was a factor in the low take. Screen Rant counters with a 29% rating at Rotten Tomatoes, a factor that the R-rated movie wasn’t that good to start.
Blade Runner 2 has a script.
Sir Ridley Scott has confirmed that the Blade Runner 2 script is done and will have Harrison Ford back. Filming has not been scheduled; Prometheus 2, with its March 2016 release date, may cause a delay in the filming of Blade Runner 2.
Museum of London and the BFI need help finding Sherlock Holmes.
The 1914 film A Study in Scarlet, the earliest known Sherlock Holmes adaptation, is the second oldest on the BFI‘s Most Wanted list. If found, contact sherlockholmes at bfi.org.uk or use the #FindSherlock tag on Twitter.
The Greatest American Hero getting reboot movie.
The creators of The LEGO Movie are adapting the Stephen J. Cannell series as a TV series on Fox. The original series featured an inner-city school teacher who finds a super suit but loses the instruction manual.
Patrick Warburton to return as The Tick.
Amazon will be making new episodes of the series. Fox had aired nine episodes of the live-action adaptation of the Ben Edlund comic in 2001, with an animated series running on the same network earlier from 1994 to 1997. The Tick – comic, animated, and live-action – was a parody of superheroes.
Stan Lee confirms Black Panther movie.
During a panel at Fan Expo Canada, held in Toronto, Stan Lee let slip that the Black Panther will have a movie. Marvel’s plans are to have a movie with all their heroes.
Casting has begun for Ghost in the Shell live action adaptation.
Margot Robbie, seen in The Wolf of Wall Street has been cast in the American live action adaptation of Ghost in the Shell.
Neil Gaiman’s “Hansel & Gretel” graphic novel to become movie.
Juliet Blake, producer of The Hundred-Foot Journey, has picked up the rights to Gaiman’s as yet unreleased graphic novel retelling “Hansel & Gretel”. The graphic novel should be out in October.
AMC orders companion series to The Walking Dead.
The so far untitled new series will take a look at what’s happening elsewhere during the zombie apocalypse. AMC has released few details beyond that. The Walking Dead also returns for a fifth season this fall.
Warner Bros. has Legion of Superheroes movie in pre-pre-production.
So far, just rumours that a Legion of Superheroes movie is coming, but Marvel’s Guardians of the Galaxy may have put some fear into Warner. Legion began in 1958 centred on Super-Boy but evolved to stand on its own. The team has appeared in live-action before, being featured in the Smallville episode “Legion”.
Fox to air series based on Neil Gaiman’s take on Lucifer.
Countering NBC’s Constantine, Lucifer will follow the titular devil, based on Gaiman’s work in Sandman and Milton’s Paradise Lost. The fallout from the show should be impressive, especially over at FOX News.
CBS picks up Supergirl series.
The Warner produced Supergirl TV series has been picked up by CBS, allowing the The Eye to join the other broadcast networks in superhero shows. Fox has Gotham, the Batman prequel. NBC has Constantine. CW has the ongoing Arrow and the new kid Flash. ABC is reaping fortune by having the same owner as Marvel – Disney – and both Agents of SHIELD and new series Agent Carter.
Deadpool movie confirmed.
The Merc with the Mouth will finally get the movie people have been wanting. Fox announced that the movie will be released February of 2016. Ryan Reynolds will return to play the character. Filming has not yet started, and the announcement of the Deadpool movie has bumped the Assassin’s Creed movie off Fox’s release schedule completely.
Real Genius being turned into a TV series.
The 80s movie, Real Genius, which starred Val Kilmer, is getting remade as a sitcom. Adam Sandler’s Happy Madison Productions is one of the studios on board with the reboot.
The Empire Strikes Back getting the Shakespeare treatment.
William Shakespeare’s Star Wars did well enough to get the next movie adapted the same way. An educator’s guide is also available.
Neil Gaiman updates on American Gods TV series.
HBO is out. Freemantle Media is in. No network has been announced. From the same journal post, Anansi Boys will be made into a TV miniseries for the BBC.
Help put clues together with Sherlock LEGO.
LEGO is still reviewing the idea, but a set of Sherlock minifigs are making their way through the review process. Other sets being considered are the Macross VF-1 Valkyrie and a Back to the Future DeLorean.
Barbarella TV series sets up at Amazon Studios.
A pilot script has been written and is now waiting for a showrunner. Amazon Studios is run by the online bookseller. Gaumont International Television, the producing company, is also involved with NBC’s Hannibal and Netflix’s Hemlock Grove.
Gal Gadot to play Wonder Woman in three films.
Besides appearing in Batman Vs Superman, Wonder Woman will appear in two other movies, so far unnamed. Ideally, one of the other two movies will be a Wonder Woman movie, but this is Warner, who can shoot their own foot at a hundred paces.
Transporter: The Series to air in US in fall.
This slipped right by me. Season two of the series, based on the Transporter movies, begins filming in February.
The Astronaut Wives Club gets ten episode summer run.
Based on the book of the same name by Lily Koppel, ABC will be airing the drama over the summer. Both the book and the series follows the lives of the women who were suddenly elevated after their astronaut husbands on Project Mercury made history as the first Americans in space.
Redshirts to become a limited TV series.
John Scalzi’s Redshirts is being adapted by FX as a limited series. Casting has not started yet. It’ll be interesting to see how the novel is adapted.
Black Widow solo movie in the works.
The Marvel Cinematic Universe keeps going. The Black Widow will be played, again, by Scarlett Johansson. The movie will delve into the background of the character.
Speaking of Marvel… Which studio can use which Marvel character? An infographic.
The surprising one was Namor over at Universal. He started as a Fantastic Four villain, has fought the Avengers, has been an Avenger, and has had his own series. The overlap is Quicksilver and the Scarlet Witch, who are tied heavily to both Avengers and X-Men continuity. Fox could easily commit to a Cable & Deadpool movie, while Power Pack falls under Marvel Studios.
Raving Rabbids to invade silver screen.
Ubisoft has been busy, getting deals to have Assassin’s Creed and Ghost Recon adapted to film. The latest of the efforts is Raving Rabbids, who already have a TV series.
And an update! A month ago, I reviewed the Dragonlance: Dragons of Autumn Twilight animated movie and the problems it had at adapting the original novel. Over at io9 this past week, Lauren Davis posted an argument on why Dragonlance should be the next fantasy franchise to be filmed. She has strong arguments. The only thing that could hold back a new adaptation is the failure of the animated movie. However, if ninety minutes was only enough for a shallow adaptation, two hours isn’t going to be enough time, either. Will people go for a six-movie fantasy series based on three books? Going back, I argued that TV may be better for some works than movies; Dragonlance is definitely one of those works. The television format allows for the development of longer arcs, such as Laurana’s growth from elf lass to military leader.